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The International System of Units: Its History and Use in Science and Industry

ORIGIN OF THE METRIC SYSTEM

The metric system was one of many reforms introduced in France during the period between 1789 and 1799, known as the French Revolution. The need for reform in the system of weights and measures, as in other affairs, had long been recognized. No other aspect of applied science affects the course of human activity so directly and universally.

Prior to the metric system, there had existed in France a disorderly variety of measures, such as for length, volume, or mass, that were arbitrary in size and variable from one town to the next. In Paris the unit of length was the Pied de Roi and the unit of mass was the Livre poids de marc. These units could be traced back to Charlemagne. However, all attempts to impose the “Parisian” units on the whole country were fruitless, as they were opposed by the guilds and nobles who benefited from the confusion.

The advocates of reform sought to guarantee the uniformity and permanence of the units of measure by taking them from properties derived from nature. In 1670, the abbe Gabriel Mouton of Lyons proposed a unit of length equal to one minute of arc on the earth’s surface, which he divided into decimal fractions. He suggested a pendulum of specified period as a means of preserving one of these submultiples.

The conditions required for the creation of a new measurement system were made possible by the French Revolution, an event that was initially provoked by a national financial crisis. In 1787 King Louis XVI convened the Estates General, an institution that had last met in 1614, for the purpose of imposing new taxes to avert a state of bankruptcy. As they assembled in 1789, the commoners, representing the Third Estate, declared themselves to be the only legitimate representatives of the people, and succeeded in having the clergy and nobility join them in the formation of the National Assembly. Over the next two years, they drafted a new constitution.

In 1790, Charles-Maurice de Talleyrand, Bishop of Autun, presented to the National Assembly a plan to devise a system of units based on the length of a pendulum beating seconds at latitude 45. The new order was envisioned as an “enterprise whose result should belong some day to the whole world.” He sought, but failed to obtain, the collaboration of England, which was concurrently considering a similar proposal by Sir John Riggs Miller.

The two founding principles were that the system would be based on scientific observation and that it would be a decimal system. A distinguished commission of the French Academy of Sciences, including J. L. Lagrange and Pierre Simon Laplace, considered the unit of length. Rejecting the seconds pendulum as insufficiently precise, the commission defined the unit, given the name metre in 1793, as one ten millionth of a quarter of the earth’s meridian passing through Paris. The proposal was accepted by the National Assembly on March 26, 1791.

The definition of the meter reflected the extensive interest of French scientists in the figure of the earth. Surveys in Lapland by Maupertuis in 1736 and in France by LaCaille in 1740 had refined the value of the earth’s radius and established definitively that the shape of the earth is oblate. To determine the length of the meter, a new survey was conducted by the astronomers Jean Baptiste Delambre and P.F.A. Mechain between Dunkirk, in France on the English Channel, and Barcelona, Spain, on the coast of the Mediterranean Sea. This work was begun in 1792 and completed in 1798, enduring the hardships of the “reign of terror” and the turmoil of revolution. We now know that the quadrant of the earth is 10 001 957 meters instead of exactly 10 000 000 meters as originally planned. The principal source of error was the assumed value of the earth’s flattening used in correcting for oblateness.

The unit of volume, the pinte (later renamed the litre), was defined as the volume of a cube having a side equal to one-tenth of a meter. The unit of mass, the grave (later renamed the kilogramme), was defined as the mass of one pinte of distilled water at the temperature of melting ice. In addition, the centigrade scale for temperature was adopted, with fixed points at 0 C and 100 C representing the freezing and boiling points of water (now replaced by the Celsius scale).

The work to determine the unit of mass was begun by Lavoisier and Hauy and was completed by Gineau and Fabbroni. They discovered that the maximum density of water occurs at 4 C, and not at 0 C as had been supposed, so the definition of the kilogram was amended to specify the temperature of maximum density. We now know that the intended mass was 0.999972 kg, i.e., 1000.028 cm3 instead of exactly 1000 cm3 for the volume of 1 kilogram of pure water at 4 C.

On August 1, 1793 the National Convention, which by then ruled France, issued a decree adopting the preliminary definitions and terms. The “methodical” nomenclature, specifying fractions and multiples of the units by Latin prefixes, was chosen in favor of the “common” nomenclature, involving separate names.

A new calendar was also introduced in September, 1793. Its origin was designated retroactively as September 22, 1792 to commemorate the overthrow of the monarchy and the inception of the Republic of France. The French Revolutionary Calendar consisted of twelve months of thirty days each, concluded by a five or six day holiday. The months were given poetic names that suggested the prevailing seasons. Each month was divided into three ten-day weeks, or decades. The day itself was divided into decimal fractions, with ten hours per day and 100 minutes per hour. The calendar was politically, rather than scientifically, motivated, since it was intended to weaken the influence of Christianity. It was abolished by Napoleon in 1806 in return for recognition by the Church of his authority as emperor of France. Although the calendar reform remained in effect for twelve years, the new method of keeping the time of day required the replacement of valued clocks and timepieces and was never actually used in practice.

The metric system was officially adopted on April 7, 1795. The government issued a decree (Loi du 18 germinal, an III) formalizing the adoption of the definitions and terms that are in use today. A brass bar was made by Lenoir to represent the provisional meter, obtained from the survey of LaCaille, and a provisional standard for the kilogram was derived.

In 1799 permanent standards for the meter and kilogram made from platinum were constructed based on the new survey by Delambre and Mechain. The full length of the meter bar represented the unit. These standards were deposited in the Archives of the Republic. They became official by an act of December 10, 1799.

During the Napoleonic era, several regressive acts were passed that temporarily revived old traditions. Thus in spite of its auspicious beginning, the metric system was not quickly adopted in France. Although the system continued to be taught in the schools, lack of funds prevented the distribution of secondary standards. Finally, after a three year transition period, the metric system became compulsory throughout France as of January 1, 1840.

REACTION IN THE UNITED STATES

The importance of a uniform system of weights and measures was recognized in the United States, as in France. Article I, Section 8, of the U.S. Constitution provides that Congress shall have the power “to coin money … and fix the standard of weights and measures.” However, although the progressive concept of decimal coinage was introduced, the early American settlers both retained and cultivated the customs and tools of their British heritage, including the measures of length and mass. In contrast to the French Revolution, the “American Revolution” was not a revolution at all, but was rather a war of independence.

In 1790, President George Washington referred the subject of weights and measures to his Secretary of State, Thomas Jefferson. In a report submitted to the House of Representatives, Jefferson considered two alternatives: if the existing measures were retained they could be rendered more simple and uniform, or if a new system were adopted, he favored a decimal system based on the principle of the seconds pendulum. As it was eventually formulated, Jefferson did not endorse the metric system, primarily because the metric unit of length could not be checked without a sizable scientific operation on European soil.

The political situation at the turn of the eighteenth century also made consideration of the metric system impractical. Although France under Louis XVI had supported the colonies in the war with England, by 1797 there was manifest hostility. The revolutionary climate in France was viewed by the external world with a mixture of curiosity and alarm. The National Convention had been replaced by the Directory, and French officials who had been sympathetic to the United States either had been executed or were in exile. In addition, a treaty negotiated with England by John Jay in 1795 regarding settlement of the Northwest Territories and trade with the British West Indies was interpreted by France as evidence of an Anglo-American alliance. France retaliated by permitting her ships to prey upon American merchant vessels and Federalist President John Adams prepared for a French invasion. Thus in 1798, when dignitaries from foreign countries were assembled in Paris to learn of France’s progress with metrological reform, the United States was not invited.

A definitive investigation was prepared in 1821 by Secretary of State John Quincy Adams that was to remove the issue from further consideration for the next forty-five years. He found that the standards of length, volume, and mass used throughout the 22 states of the Union were already substantially uniform, unlike the disparate measures that had existed in France prior to the French Revolution. Moreover, it was not at all evident that the metric system would be permanent, since even in France its use was sporadic and, in fact, the consistent terminology had been repealed in 1812 by Napoleon. Therefore, if the metric system failed to win support in early America, it was not for want of recognition.

Serious consideration of the metric system did not occur again until after the Civil War. In 1866, upon the advice of the National Academy of Sciences, the metric system was made legal by the Thirty-Ninth Congress. The Act was signed into law on July 28 by President Andrew Johnson.

TREATY OF THE METER

A series of international expositions in the middle of the nineteenth century enabled the French government to promote the metric system for world use. Between 1870 and 1872, with an interruption caused by the Franco-Prussian War, an international meeting of scientists was held to consider the design of new international metric standards that would replace the meter and kilogram of the French Archives. A Diplomatic Conference on the Meter was convened to ratify the scientific decisions. Formal international approval was secured by the Treaty of the Meter, signed in Paris by the delegates of 17 countries, including the United States, on May 20,1875.

The treaty established the International Bureau of Weights and Measures (BIPM). It also provided for the creation of an International Committee for Weights and Measures (CIPM) to run the Bureau and the General Conference on Weights and Measures (CGPM) as the formal diplomatic body that would ratify changes as the need arose. The French government offered the Pavillon de Breteuil, once a small royal palace, to serve as headquarters for the Bureau in Sevres, France near Paris. The grounds of the estate form a tiny international enclave within French territory.

A total of 30 meter bars and 43 kilogram cylinders were manufactured from a single ingot of an alloy of 90 percent platinum and 10 percent iridium by Johnson, Mathey and Company of London. The original meter and kilogram of the French Archives in their existing states were taken as the points of departure. The standards were intercompared at the International Bureau between 1886 and 1889. One meter bar and one kilogram cylinder were selected as the international prototypes. The remaining standards were distributed to the signatories. The work was approved by the First General Conference on Weights and Measures in 1889.

The United States received meters 21 and 27 and kilograms 4 and 20. On January 2, 1890 the seals to the shipping cases for meter 27 and kilogram 20 were broken in an official ceremony at the White House with President Benjamin Harrison presiding. The standards were deposited in the Office of Weights and Measures of the U.S. Coast and Geodetic Survey.

U.S. CUSTOMARY UNITS

The U.S. customary units were tied to the British and French units by a variety of indirect comparisons.

Troy weight was the standard for the minting of coins. Congress could be ambivalent about nonuniformity in standards for trade, but it could not tolerate nonuniformity in its standards for money. Therefore, in 1827 a brass copy of the British troy pound of 1758 was secured by Ambassador to England and former Secretary of the Treasury, Albert Gallatin. This standard was kept in the Philadelphia mint and lesser copies were made and distributed to other mints. The troy pound of the Philadelphia mint was virtually the primary standard for commercial transactions until 1857 and remained the standard for coins until 1911.

The semi-official standards used in commerce for a quarter century may be attributed to Ferdinand Hassler, who was appointed superintendent of the newly organized Coast Survey in 1807. In 1832 the Treasury Department directed Hassler to construct and distribute to the states standards of length, mass, and volume, and balances by which masses might be compared. As the standard of length, Hassler adopted the Troughton scale, an 82-inch brass bar made by Troughton of London for the Coast Survey that Hassler had brought back from Europe in 1815. The distance between the 27th and 63rd engraved lines on a silver inlay scale down the center of the bar was taken to be equal to the British yard. The standard of mass was the avoirdupois pound, derived from the troy pound of the Philadelphia mint by the ratio 7000 grains to 5760 grains. It was represented by a brass knob weight that Hassler constructed and marked with a star. Thus it has come to be known as the “star” pound.

The system of weights and measures in Great Britain had been in use since the reign of Queen Elizabeth I. Following a reform begun in 1824, the imperial standard avoirdupois pound was made the standard of mass in 1844 and the imperial standard yard was adopted in 1855. The imperial standards were made legal by an Act of Parliament in 1855 and are preserved in the Board of Trade in London. The United States received copies of the British imperial pound and yard, which became the official U.S. standards from 1857 until 1893.

When the metric system was made lawful in the United States in 1866, a companion resolution was passed to distribute metric standards to the states. The Treasury Department had in its possession several copies derived from the meter and kilogram of the French Archives. These included the “Committee” meter and kilogram, which were an iron end standard and a brass cylinder with knob copied from the French prototypes, that Hassler had brought with him when he immigrated to the United States in 1805. He had received them as a gift from his friend, J.G. Tralles, who was the Swiss representative to the French metric convocation in 1798 and a member of its committee on weights and measures. Also available were the “Arago” meter and kilogram, named after the French physicist who certified them. They were purchased by the United States in 1821 through Albert Gallatin, then minister to France. The Committee meter and the Arago kilogram were used as the prototypes for brass metric standards that were distributed to the states.

In 1893, under a directive from Thomas C. Mendenhall, Superintendent of Standard Weights and Measures of the Coast and Geodetic Survey, the U.S. customary units were redefined in terms of the metric units. The primary standards of length and mass adopted were prototype meter No. 27 and prototype kilogram No. 20 that the United States had received in 1889 as a signatory to the Treaty of the Meter. The yard was defined as 3600/3937 meter and the avoirdupois pound-mass was defined as 0.4535924277 kilogram. The conversion for mass was based on a comparison between the British imperial standard pound and the international prototype kilogram performed in 1883. These definitions were used by the National Bureau of Standards (now the National Institute of Standards and Technology) from its founding in 1901 until 1959. On July 1, 1959 the definitions were fixed by international agreement among the English-speaking countries to be 1 yard = 0.9144 meter and 1 pound-mass = 0.45359237 kilogram exactly. The definition of the yard is equivalent to the relations 1 foot = 0.3048 meter and 1 inch = 2.54 centimeters exactly.

The derived unit of force in the British system is the pound-force (lbf), which is defined as the weight of one pound-mass (lbm) at a hypothetical location where the acceleration of gravity has the standard value 9.80665 m/s2 exactly. Thus, 1 lbf = 0.45359237 kg x 9.80665 m/s2 = 4.448 N approximately. The slug (sl) is the mass that receives an acceleration of one foot per second squared under a force of one pound-force. Thus 1 sl = (1 lbf)/(1 ft/s2) = (4.448 N)/(0.3048 m/s2) = 14.59 kg = 32.17 lbm approximately.

THE ELECTRICAL UNITS

The theories of electricity and magnetism developed and matured during the early 1800s as fundamental discoveries were made by Oersted, Ampere, Faraday, and many others. The possibility of making magnetic measurements in terms of mechanical units, that is in “absolute measure,” was first pointed out by Gauss in 1833. His analysis was carried further to cover electrical phenomena by Weber, who in 1851 discussed a method by which a complete set of absolute units might be developed.

In 1861 a committee of the British Association for the Advancement of Science, that included William Thomson (later Lord Kelvin), James Clerk Maxwell, and James Prescott Joule, undertook a comprehensive study of electrical measurements. This committee introduced the concept of a system of units. Four equations were sufficient to determine the units of charge q, current I, voltage V, and resistance R. These were either Coulomb’s force law for charges or Ampere’s force law for currents, the relation between charge and current q = I t, Ohm’s law V = I R, and the equation for electrical work W = V q = I 2 R t, where t is time.

A fundamental principle was that the system should be coherent. That is, the system is founded upon certain base units for length, mass, and time, and derived units are obtained as products or quotients without requiring numerical factors. The meter, gram, and mean solar second were selected as base units. In 1873 a second committee recommended a centimeter-gram-second (CGS) system of units because in this system the density of water is unity.

Two parallel systems of units were devised, the electrostatic and electromagnetic subsystems, depending on whether the law of force for electric charges or for electric currents was taken as fundamental. The ratio of the electrostatic to the electromagnetic unit of charge or current was a fundamental experimental constant c.

The committee also conducted research on electrical standards. It issued a wire resistance standard, the “B.A. unit,” which soon became known as the “ohm.” The idea of naming units after eminent scientists was due to Sir Charles Bright and Latimer Clark.

At the time, electricity and magnetism were essentially two distinct branches of experimental physics. However, in a series of papers published between 1856 and 1865, Maxwell created a unified theory based on the field concept introduced by Faraday. He predicted the existence of electromagnetic waves and identified the “ratio of the units” c with the speed of light.

In 1888, Heinrich Hertz verified Maxwell’s prediction by generating and detecting electromagnetic waves at microwave frequencies in the laboratory. He also greatly simplified the theory by eliminating unnecessary physical assumptions. Thus the form of Maxwell’s equations as they are known to physicists and engineers today is due to Hertz. (Oliver Heaviside made similar modifications and introduced the use of vectors.) In addition, Hertz combined the electrostatic and electromagnetic CGS units into a single system related by the speed of light c, which he called the “Gaussian” system of units.

The recommendations of the B.A. committees were adopted by the First International Electrical Congress in Paris in 1881. Five “practical” electrical units were defined as certain powers of 10 of the CGS units: the ohm, farad, volt, ampere, and coulomb. In 1889, the Second Congress added the joule, watt, and a unit of inductance, later given the name henry.

In 1901, Giorgi demonstrated that the practical electrical units and the MKS mechanical units could be incorporated into a single coherent system by (1) selecting the meter, kilogram, and second as the base units for mechanical quantities; (2) expanding the number of base units to four, including one of an electrical nature; and (3) assigning physical dimensions to the permeability of free space 0, with a numerical value of 4 x107 in a “rationalized” system or 107 in an “unrationalized” system. (The term “rationalized,” due to Heaviside, concerned where factors of 4 should logically appear in the equations based on symmetry.) The last assumption implied that the magnetic flux density B and magnetic field H, which are related in vacuum by the equation B = 0 H, are physically distinct with different units, whereas in the Gaussian system they are of the same character and are dimensionally equivalent. An analogous situation occurs for the electric fields D and Ethat are related by D = 0 E, where 0 is the permittivity of free space given by c2 = 1 / 0 0.

In 1908, an International Conference on Electrical Units and Standards held in London adopted independent, easily reproducible primary electrical standards for resistance and current, represented by a column of mercury and a silver coulombmeter, respectively. These so-called “international” units went into effect in 1911, but they soon became obsolete with the growth of the national standards laboratories and the increased application of electrical measure-ments to other fields of science.

With the recognition of the need for further international coopera-tion, the 6th CGPM amended the Treaty of the Meter in 1921 to cover the units of electricity and photometry and the 7th CGPM created the Consultative Committee for Electricity (CCE) in 1927. By the 8th CGPM in 1933 there was a universal desire to replace the “international” electrical units with “absolute” units. Therefore, the International Electrotechnical Commission (IEC) recommended to the CCE an absolute system of units based on Giorgi’s proposals, with the practical electrical units incorporated into a comprehensive MKS system. The choice of the fourth unit was left undecided.

At the meeting of the CCE in September 1935, the delegate from England, J.E. Sears, presented a note that set the course for future action. He proposed that the ampere be selected as the base unit for electricity, defined in terms of the force per unit length between two long parallel wires. The unit could be preserved in the form of wire coils for resistance and Weston cells for voltage by calibration with a current balance. This recommendation was unanimously accepted by the CCE and was adopted by the CIPM.

Further progress was halted by the intervention of World War II. Finally, in 1946, by authority given to it by the CGPM in 1933, the CIPM officially adopted the MKS practical system of absolute electrical units to take effect January 1, 1948.

INTERNATIONAL SYSTEM OF UNITS (SI)

By 1948 the General Conference on Weights and Measures was responsible for the units and standards of length, mass, electricity, photometry, temperature, and ionizing radiation. At this time, the next major phase in the evolution of the metric system was begun. It was initiated by a request of the International Union of Pure and Applied Physics “to adopt for international use a practical international system of units.” Thus the 9th CGPM decided to define a complete list of derived units. Derived units had not been considered previously because they do not require independent standards. Also, the CGPM brought within its province the unit of time, which had been the prerogative of astronomers.

The work was started by the 10th CGPM in 1954 and was completed by the 11th CGPM in 1960. During this period there was an extensive revision and simplification of the metric unit definitions, symbols, and terminology. The kelvin and candela were added as base units for thermodynamic temperature and luminous intensity, and in 1971 the mole was added as a seventh base unit for amount of substance.

The modern metric system is known as the International System of Units, with the international abbreviation SI. It is founded on the seven base units, summarized in Table 1, that by convention are regarded as dimensionally independent. All other units are derived units, formed coherently by multiplying and dividing units within the system without the use of numerical factors. Some derived units, including those with special names, are listed in Table 2. For example, the unit of force is the newton, which is equal to a kilogram meter per second squared, and the unit of energy is the joule, equal to a newton meter. The expression of multiples and submultiples of SI units is facilitated by the use of prefixes, listed in Table 3. (Additional information is available on the Internet at the websites of the International Bureau of Weights and Measures at http://www.bipm.fr/ and the National Institute of Standards and Technology at http://physics.nist.gov/cuu .)

METRIC STANDARDS

One must distinguish a unit, which is an abstract idealization, and a standard, which is the physical embodiment of the unit. Since the origin of the metric system, the standards have undergone several revisions to reflect increased precision as the science of metrology has advanced.

The meter. The international prototype meter standard of 1889 was a platinum-iridium bar with an X-shaped cross section. The meter was defined by the distance between two engraved lines on the top surface of the bridge instead of the distance between the end faces. The meter was derived from the meter of the French Archives in its existing state and reference to the earth was abandoned.

The permanence of the international prototype was verified by comparison with three companion bars, called “check standards.” In addition, there were nine measurements in terms of the red line of cadmium between 1892 and 1942. The first of these measurements was carried out by A. A. Michelson using the interferometer which he invented. For this work, Michelson received the Nobel Prize in physics in 1907.

Improvements in monochro-matic light sources resulted in a new standard based on a well-defined wavelength of light. A single atomic isotope with an even atomic number and an even mass number is an ideal spectral standard because it eliminates complexity and hyperfine structure. Also, Doppler broadening is minimized by using a gas of heavy atoms in a lamp operated at a low temperature. Thus a particular orange krypton-86 line was chosen, whose wavelength was obtained by direct comparison with the cadmium wavelength. In 1960, the 11th CGPM defined the meter as the length equal to 1 650 763.73 wavelengths of this spectral line.

Research on lasers at the Boulder, CO laboratory of the National Bureau of Standards contributed to another revision of the meter. The wavelength and frequency of a stabilized helium-neon laser beam were measured independently to determine the speed of light. The wavelength was obtained by comparison with the krypton wavelength and the frequency was determined by a series of measurements traceable to the cesium atomic standard for the second. The principal source of error was in the profile of the krypton spectral line representing the meter itself. Consequently, in 1983 the 17th CGPM adopted a new definition of the meter based on this measurement as “the length of the path traveled by light in vacuum during a time interval of 1/299 792 458 of a second.” The effect of this definition is to fix the speed of light at exactly 299 792 458 m/s. Thus experimental methods previously interpreted as measurements of the speed of light c (or equivalently, the permittivity of free space 0) have become calibrations of length.

The kilogram. In 1889 the international prototype kilogram was adopted as the standard for mass. The prototype kilogram is a platinum-iridium cylinder with equal height and diameter of 3.9 cm and slightly rounded edges. For a cylinder, these dimensions present the smallest surface area to volume ratio to minimize wear. The standard is carefully preserved in a vault at the International Bureau of Weights and Measures and is used only on rare occasions. It remains the standard today. The kilogram is the only unit still defined in terms of an arbitrary artifact instead of a natural phenomenon.

The second. Historically, the unit of time, the second, was defined in terms of the period of rotation of the earth on its axis as 1/86 400 of a mean solar day. Meaning “second minute,” it was first applied to timekeeping in about the seventeenth century when pendulum clocks were invented that could maintain time to this precision.

By the twentieth century, astronomers realized that the rotation of the earth is not constant. Due to gravitational tidal forces produced by the moon on the shallow seas, the length of the day is increasing by about 1.4 milliseconds per century. The effect can be measured by comparing the computed paths of ancient solar eclipses on the assumption of uniform rotation with the recorded locations on earth where they were actually observed. Consequently, in 1956 the second was redefined in terms of the period of revolution of the earth about the sun for the epoch 1900, as represented by the Tables of the Sun computed by the astronomer Simon Newcomb of the U.S. Naval Observatory in Washington, DC. The operational significance of this definition was to adopt the linear coefficient in Newcomb’s formula for the mean longitude of the sun to determine the unit of time.

The rapid development of atomic clocks soon permitted yet another definition. Accordingly, in 1967 the 13th CGPM defined the second as “the duration of 9 192 631 770 periods of the radiation corresponding to the transition between the two ground states of the cesium-133 atom.” This definition was based on observations of the moon, whose ephemeris is tied indirectly to the apparent motion of the sun, and was equivalent to the previous definition within the limits of experimental uncertainty.

The ampere. The unit of electric current, the ampere, is defined as that constant current which, if maintained in each of two parallel, infinitely long wires with a separation of 1 meter in vacuum, would produce a force per unit length between them equal to 2 x 10-7 N/m. This formal definition serves to establish the value of the constant 0 as 4 x 107 N/A2 exactly. Although the base unit for electricity is the ampere, the electrical units are maintained through the volt and the ohm.

In the past, the practical representation of the volt was a group of Weston saturated cadmium-sulfate electrochemical standard cells. A primary calibration experiment involved the measurement of the force between two coils of an “ampere balance” to determine the current, while the cell voltage was compared to the potential difference across a known resistance.

The ohm was represented by a wire-wound standard resistor. Its resistance was measured against the impedance of an inductor or a capacitor at a known frequency. The inductance can be calculated from the geometrical dimensions alone. From about 1960, a so-called Thompson-Lampard calculable capacitor has been used, in which only a single measurement of length is required.

Since the early 1970s, the volt has been maintained by means of the Josephson effect, a quantum mechanical tunneling phenomenon discovered by Brian Josephson in 1962. A Josephson junction may be formed by two superconducting niobium films separated by an oxide insulating layer. If the Josephson junction is irradiated by microwaves at frequency f and the bias current is progressively increased, the current-voltage characteristic is a step function, in which the dc bias voltage increases discontinuously at discrete voltage intervals equal to f / KJ , where KJ = 2 e / h is the Josephson constant, h is Planck’s constant, and e is the elementary charge.

The ohm is now realized by the quantum Hall effect, a characteristic of a two-dimensional electron gas discovered by Klaus von Klitzing in 1980. In a device such as a silicon metal-oxide-semiconductor field-effect transistor (MOSFET), the Hall voltage VH for a fixed current I increases in discrete steps as the gate voltage is increased. The Hall resistance, or RH = VH / I , is equal to an integral fraction of the von Klitzing constant, given by RK = h / e2 = 0 c / 2 , where is the fine structure constant. In practice, RK can be measured in terms of a laboratory resistance standard, whose resistance is obtained by comparison with the impedance of a calculable capacitor, or it can be obtained indirectly from.

A new method to determine the relation between the mechanical and electromagnetic units that has shown much promise is by means of a “watt balance,” which has greater precision than an ordinary ampere balance. In this experiment, a current I is passed through a test coil suspended in the magnetic field of a larger coil so that the force F balances a known weight mg. Next the test coil is moved axially through the magnetic field and the velocity v and induced voltage V are measured. By the equivalence of mechanical and electrical power, F v = V I. The magnetic field and apparatus geometry drop out of the calculation. The voltage V is measured in terms of the Josephson constant KJ while the current I is calibrated by the voltage across a resistance known in terms of the von Klitzing constant RK. The experiment determines KJ 2 RK (and thus h), which yields KJ if RK is assumed to be known in terms of the SI ohm.

The Josephson and quantum Hall effects provide highly uniform and conveniently reproducible quantum mechanical standards for the volt and the ohm. For the purpose of practical engineering metrology, conventional values for the Josephson constant and the von Klitzing constant were adopted by international agreement starting January 1, 1990. These values are KJ-90 = 483 597.9 GHz/V and RK-90 = 25 812.807 exactly. The best experimental SI values, obtained as part of an overall least squares adjustment of the fundamental constants completed in 1998, differ only slightly from these conventional values.

METRIC UNITS IN INDUSTRY

The International System of Units (SI) has become the fundamental basis of scientific measurement worldwide. It is also used for everyday commerce in virtually every country of the world but the United States. Congress has passed legislation to encourage use of the metric system, including the Metric Conversion Act of 1975 and the Omnibus Trade and Competitiveness Act of 1988, but progress has been slow.

The space program should have been the leader in the use of metric units in the United States and would have been an excellent model for education. Burt Edelson, Director of the Institute for Advanced Space Research at George Washington University and former Associate Administrator of NASA, recalls that “in the mid-‘80s, NASA made a valiant attempt to convert to the metric system” in the initial phase of the international space station program. However, he continued, “when the time came to issue production contracts, the contractors raised such a hue cry over the costs and difficulties of conversion that the initiative was dropped. The international partners were unhappy, but their concerns were shunted aside. No one ever suspected that a measurement conversion error could cause a failure in a future space project.”

Economic pressure to compete in an international environment is a strong motive for contractors to use metric units. Barry Taylor, head of the Fundamental Constants Data Center of the National Institute of Standards and Technology and U.S. representative to the Consultative Committee on Units of the CIPM, expects that the greatest stimulus for metrication will come from industries with global markets. “Manufacturers are moving steadily ahead on SI for foreign markets,” he says. Indeed, most satellite design technical literature does use metric units, including meters for length, kilograms for mass, and newtons for force, because of the influence of international partners, suppliers, and customers.

CONCLUSION

As we begin the new millennium, there should be a renewed national effort to promote the use of SI metric units throughout industry, and to assist the general public in becoming familiar with the system and using it regularly. The schools have taught the metric system in science classes for decades. It is time to put aside the customary units of the industrial revolution and to adopt the measures of precise science in all aspects of modern engineering and commerce, including the United States space program and the satellite industry.

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About the Author

The Applied Technology Institute (ATI) specializes in short course technical training in space, communications, defense, sonar, radar, and signal processing. Since 1984 ATI has provided leading-edge public courses and on-site technical training to defense and NASA facilities, as well as DOD and aerospace contractors. The courses provide a clear understanding of the fundamental principles and a working knowledge of current technology and applications. Boost your career. Courses are led by world-class design experts. Learn from the proven best.

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There is only one word that comes close to accurately describing the enchanting Mary Poppins, and that term was coined by the movie itself: supercalifragilisticexpialidocious! Even at 2 hours and 20 minutes, Disney’s pioneering mixture of live action and animation (based on the books by P.L. Travers) still holds kids spellbound. Julie Andrews won an Oscar as the world’s most magically idealized na…

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Home By Andrews, Julie


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[CD] Home By Andrews, Julie


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A personal account of the iconic actresss prefame life traces the time between her birth in 1935 and her discovery by Walt Disney during her 1962 Broadway performance in Camelot, a period marked by her relationships with a vaudevillian mother and teacher father, the World War II London Blitz, and her work as a Royal Command Performance child soloist. Simultaneous. Author: Andrews, Julie Subtitle: A Memoir of My Early Years Publication Date: 2008/04/01 Binding Type: CD/Spoken Word Language: English Depth: 1.50 Width: 5.50 Height: 5.75

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Wicked Signed Stephen

June 22nd, 2011 Comments off

Wicked Signed Stephen

CARL SMITH-WICKED LIES.wmv

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Stephen Schwartz Wicked Pippin Godspell Composer Rare Signed Autograph FDC


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Opera Japan Flyer

June 19th, 2011 Comments off

Opera Japan Flyer

Evening Glove

Ladies’ evening gloves or opera gloves are a type of formal glove that reaches beyond the elbow.

Ladies’ gloves for formal and semi-formal wear come in three lengths for women: wrist, elbow, and opera or full-length (over the elbow, usually reaching to the biceps but sometimes to the full length of the arm).

<a href=”http://www.himfr.com/buy-flyers_shirt/”>flyers shirt</a>The most expensive full-length gloves are custom-made of kid leather, also known as kidskin. Many other types of leather, most usually soft varieties of cowhide, are used in making full-length gloves; patent leather and suede are especially popular as alternatives to kidskin, and are often more affordable than kidskin. Satin and stretch satin materials are extremely popular, and there are mass-produced varieties as well.

While the etymology of the term opera glove is unknown, gloves of above-the-elbow length have been worn since at least the late 18th century, and gloves reaching to or just below the elbow have been worn by women in Western countries since the 17th century (there is an engraving of England’s Queen Mary dating from the 1690s in which she is shown wearing elbow-length gloves). Over-the-elbow gloves were first widely popular during the Regency/Napoleonic period (circa 1800-1825), and waned in popularity during the early and mid-Victorian periods (circa 1830-1870), but enjoyed their greatest vogue in the last two decades of the 19th century and the years of the 20th century prior to the start of World War I. During that period, they were standard for both daytime and evening wear with most types of outfits-even some swimming outfits of the period were accessorized with opera gloves. Etiquette of that period considered gloves to be mandatory accessories for both men and women of the upper classes, so it was fairly uncommon during that era to see a well-dressed woman at a public occasion who was not wearing gloves of some sort. According to several fashion historians, over-the-elbow gloves were popularized, or more accurately re-popularized, during the late 19th century by the renowned actresses Sarah Bernhardt in France (who liked wearing long gloves to disguise what she considered her overly thin arms) and Lillian Russell in the United States.

The opera glove has enjoyed varying popularity in the decades since World War I, being most prevalent as a fashion accessory in the 1940s through the early 1960s (long gloves were an important accessory of Christian Dior’s “New Look” designs), but continues to this day to be popular with women who want to add a particularly elegant touch to their formal outfits, and have enjoyed minor revivals in fashion design on several occasions in recent years (they were very prominent, for example, in haute couture collections for the fall/winter 2007 season). Opera gloves continue to be popular accessories for bridal and prom/debutante gowns and at very formal ballroom dances (to this day, for example, it is mandatory for female participants at the Vienna Opera Ball to wear white opera gloves) and are often worn by entertainers such as can-can dancers and burlesque performers (particularly to perform a gown-and-glove dance). In popular culture, probably the two best-known images incorporating opera gloves are those of Rita Hayworth in “Gilda” (1946) and Marilyn Monroe in Gentlemen Prefer Blondes (1953). (Actress Audrey Hepburn was also known for glove-wearing on- and off-screen, but the style of glove she popularized is a type of coat-sleeve-length or three-quarters-length glove, rather than true opera-length.)

The best-known type of opera glove, the mousquetaire, is given this name due to the wrist-level opening (most commonly three inches long) which is closed by three (usually) buttons or snap closures, most frequently made of pearl or some lookalike material.

Mousquetaire gloves have buttons at the wrist so the wearer could open the buttons and slip her hand out without taking the whole glove off. The finger section would be folded in and kept away tidily. This is how ladies wore gloves while dining. After the meal they would put their hands back into the gloves, usually for the rest of the evening. During the 19th century, especially from the mid-Victorian era onwards, gloves were tailored so as to fit very tightly onto the hands and arms ??so tightly, in fact, that it was often necessary to use aids such as talcum powder and buttonhooks to put on one’s gloves; therefore, it was considered somewhat uncouth to put on or remove one’s gloves completely in public and women would make sure to don their gloves in the privacy of their homes before going out to some event (another reason for the popularity of the mousquetaire opening). The mousquetaire opening/fastening for women’s long gloves seems to have become most popular during the Victorian era; during the Napoleonic/Regency period, women’s long gloves were often tailored to fit loosely on the wearer’s arm, and were often worn gathered below the elbow or held up on the biceps with a garter-like strap. (In the 2005 film version of Pride and Prejudice, Rosamund Pike and several other actresses wear opera-length gloves with drawstring ties at the top of the glove, but this might not be an accurate representation of the style of long gloves in the Regency era; fashion plates from the period do not appear to show gloves with drawstring-type ties, but do often show women wearing gloves held up by garterlike straps or ribbons.)

In Japan, ladies wear long gloves all day in summer, to protect the ideal irojiro , or fair skin, which represents beauty, grace, and high social status (as well as purity and divinity in local religions), thus many Japanese ladies avoid any form of tanning.

The length of ladies’ evening gloves are referred to in terms of “buttons”, whether they in fact have buttons or not. The word is derived from French, and the exact measure is actually a bit longer than one inch. Wrist length gloves are usually eight-button, those at the elbow are 16, mid-biceps are 22 and full shoulder length are 30. Opera gloves are between 16 and 22 inches long, though some gloves can be as long as 29 or 30 inches. To fit oneself for gloves, measure all around the hand at the widest part of the palm where the knuckles are, but excluding the thumb. The measurement in inches is the glove size, but if one’s arms are large, it may be practical to go up a size. Generally, an evening glove is considered to be a true “opera-length” glove if it reaches to mid-biceps or higher on the wearer’s arm, notwithstanding its actual length in inches or buttons; therefore, a petite woman might find a glove with a measurement of 16 or 17 inches adequate for the purpose, while a tall woman might need a glove longer than 22 inches. A glove shorter than elbow-length should not be referred to as an “opera-length glove” or “opera glove” under any circumstances.

About the Author

Himfr is a scholar, focusing his research on Chinese cultures. If you are interested in purchasing China goods, please visit www.himfr.com

Gerry PotO Inteview

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PHANTOM of the OPERA Japan THEATER NEW! flyer SET 2009


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Wonderful Town Cast

May 21st, 2011 Comments off

Wonderful Town Cast

wondering mysteriously about the paranormal aliens

 

Wonders, unsolved mysteries, aliens, UFOs and anything superhuman have always occupied popular imagination since ages. With reports on area 51, Brazilian government’s official documents on existence of aliens and even alien abductions this is only getting more interesting. Well, enough has been discussed, argued and analyzed on many websites. But one obvious question would have come in every one’s mind: Why most of the reports and sightings are from USA or just a few other countries? Why aren’t there reports from countries like India? Is it a coincidence that such incidents don’t happen in countries like India? Or is it that incidents in India are simply not reported because people are not aware what exactly happened?

Bhangarh in the state of Rajasthan is one of the most haunted places in India. The story goes like this: the charm of Princess of Bhangarh Ratnawati was matchless in the entire state. In the same region there also lived a tantrik (a magician using black magic) named Singhia who was desperately in love with the princess. One day, he saw the princess’ maid in the market buying scented oil for the princess. He used his black magic and put a spell on the oil which would hypnotize the princess by her mere touching the oil and she would immediately walk towards the tantrik. But when princess got the oil, she threw it on the block of a stone as she had seen the tantrik eying the oil. As soon as the oil touched the stone, the stone started rolling towards the tantrik Singhia and crushed him. While dying, Singhia cursed the palace that there will be such an incident that everybody in the palace would die and their souls will stay there for centuries without rebirth. The very next year there was a battle between Bhangarh-Ajabgarh and no one survived in the battle or in the palace, not even princess Ratnawati. The ghosts of royal family have been haunting the place since then. There is a board put up by Government of India which prohibits people from roaming in the fort premises after 06PM.

Taj Mahal in India is famous for being part of the Seven Wonders of the World and as a symbol of love. The Mogul Emperor Shah Jahan in the memory of his wife Mumtaz Mahal is said to have built the Taj Mahal. It was built in 22 years (1631 to 1653) by 20,000 artisans brought to India from all over the world. Many people believe Ustad Isa of Iran designed it.” This is what your guide probably told you if you ever visited the Taj Mahal. This is the same story I read in my history book as a student in India. But there is also another school of thought saying, Taj Mahal well existed even before Mumtaj was dead, and it was build by Hindu Rajput kings’. Many of the structures of Taj Mahal show Hindu architecture. No one has ever challenged it except Professor P.N. Oak, who believes the whole world has been duped. It is not Mumtaj’s tomb but an ancient Hindu temple palace of Lord Shiva (then known as Tejo Mahalaya).

Then comes the mysterious stone at Shivapur. Shivapur, a small town 180 Km far from Mumbai is not known for its green pastures or Sugarcane fields but for this mysterious and intriguing stone which lies near a dargah. The stone hardly weighs 70 Kg but cannot be lifted normally. It can only be lifted by 11 people and that too with their index fingers. Intriguing right..?? But its true…and it has been lying there for decades..!! People who tried to lift it in other ways failed miserably. Recently, a Japanese team examined this stone for over a week but went back not being able to conclude anything. And the Japanese media published widely about this stone. So what exactly is going on? Who is behind this? Let’s have a look at its past to understand things…A few years back, there was a boy named ‘Kumar Ali’ born in a middle class Muslim family. By the time he was 6 years old, he stated learning from a religious teacher. Ali was always in deep meditation and fasting. People started believing that he was born with mystical powers and started worshipping him. Ali died at a very early age. But before he died, he wanted to convey to the humanity, the essence of impartial love to mankind irrespective of caste and creed. He wanted to show that materialism can’t stand in front of spirituality.

He told his brother…” Place a cylindrical stone near my grave. Only 11 people chanting my name can lift this stone with their index fingers to a height of 6 feet. People trying in other ways cannot lift it more than 2 feet high.” and left for the heavenly abode. Since then, the stone has been lying there puzzling people over decades. Many a scientist tried to interpret the physical and scientific basis of the happenings but in vain. Ali’s grave became a dargah and attracts thousands of people every year. People visiting the dargah lift the stone in groups of 11 with their index fingers effortlessly thus getting the taste of heavenly power. And the bottom line is “The stone remains there with all its pride having recorded its name in the top 10 unsolved mysteries of India.”

Then comes the mystery of Netaji Subhash Chandra Bose, one of the top leaders in the Indian freedom movement. Officially, Bose is said to have died in a plane crash on his way to Burma August 18th, 1945. But there are many reports of he being alive many years after the crash. One version says he spent the rest of his life as a monk in an ashram at Kolkata. One version says he was kidnapped by someone and eventually died in exile. One version says he lived in Varanasi. The bottom line is that two questions remain unanswered till date. 1) Was Bose alive after the crash? 2) If it all he was alive, how would a man with such following and probably the Prime ministerial candidate (post independence) escape public eye?

The incidents narrated above testify the fact that India or for that matter any other country is not alien to such happenings. Our group of UFO enthusiasts found enough sightings in India. The reason we feel that these incidents have been ignorant or dormant is that they are not publicized or to put it in other way, there is no proper platform for people to discuss about these. Here comes www.sector21.in to fill the gap. Sector21 is a place where UFO enthusiasts and intellectuals from various corners gather to discuss, argue and analyze topics from intriguing and unsolved mysteries to alien and UFO sightings.


-Kranthi

 

About the Author

Kranthi Kiran Reddy
www.sector21.in

Wonderful Town Cast at the Florida Marlins

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1998 STUDIO CAST - WONDERFUL TOWN [1998 STUDIO CAST] - NEW CD BOXSET


1998 STUDIO CAST – WONDERFUL TOWN [1998 STUDIO CAST] – NEW CD BOXSET


$27.31


Wonderful Town (2003 Broadway Revival Cast), Leonard Bernstein, Betty Comden,, E


Wonderful Town (2003 Broadway Revival Cast), Leonard Bernstein, Betty Comden,, E


$14.58


WONDERFUL TOWN - ORIGINAL CAST [CD NEW]


WONDERFUL TOWN – ORIGINAL CAST [CD NEW]


$17.00


Wonderful Town cd  Broadway Revival Cast


Wonderful Town cd Broadway Revival Cast


$7.00


Wonderful Town [Sony Original Broadway Cast] by Original Cast (CD, Nov-1991, ...


Wonderful Town [Sony Original Broadway Cast] by Original Cast (CD, Nov-1991, …


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Wonderful Town [Original Broadway Cast] [Bonus Tracks] by Rosalind Russell...


Wonderful Town [Original Broadway Cast] [Bonus Tracks] by Rosalind Russell…


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Rosalind Russell


Rosalind Russell “Wonderful Town” VG 1953 Original Cast Old Vinyl LP 33 Record


$5.00


Wonderful Town cd  Original Broadway Cast


Wonderful Town cd Original Broadway Cast


$6.00


ORIGINAL BROADWAY CA - WONDERFUL TOWN [SONY ORIGINAL BROADWAY CAST] - NEW CD


ORIGINAL BROADWAY CA – WONDERFUL TOWN [SONY ORIGINAL BROADWAY CAST] – NEW CD


$29.86


ROSILAND RUSSELL WONDERFUL TOWN ORIG.CAST LP DECCA DGL


ROSILAND RUSSELL WONDERFUL TOWN ORIG.CAST LP DECCA DGL


$21.00


WONDERFUL TOWN musical original london cast album LP 16 track in gatefold sleeve


WONDERFUL TOWN musical original london cast album LP 16 track in gatefold sleeve


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Lot of 2 WONDERFUL TOWN cast/tv album/lps ~ ROSALIND RUSSELL~Edie Adams~McKEEVER


Lot of 2 WONDERFUL TOWN cast/tv album/lps ~ ROSALIND RUSSELL~Edie Adams~McKEEVER


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ROSALIND RUSSELL/Cast


ROSALIND RUSSELL/Cast “Wonderful Town” Decca 9010 LP


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Wonderful Town [Original Broadway Cast] (CD, May-1998, Special Product)


Wonderful Town [Original Broadway Cast] (CD, May-1998, Special Product)


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WONDERFUL TOWN ROSALIND RUSSELL 1953 NY CAST STAGE SOUNDTRACK RARE STEREO LP


WONDERFUL TOWN ROSALIND RUSSELL 1953 NY CAST STAGE SOUNDTRACK RARE STEREO LP


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The NEW (UK Import) Broadway Cast Wonderful Town - Brooke Shield CD NEW (UK Impo


The NEW (UK Import) Broadway Cast Wonderful Town – Brooke Shield CD NEW (UK Impo


$20.89


New Broadway Cast Recording Wonderful Town CD NEW (UK Import)


New Broadway Cast Recording Wonderful Town CD NEW (UK Import)


$21.80


WONDERFUL TOWN BROADWAY CAST VINYL LP ROSALIND RUSSELL


WONDERFUL TOWN BROADWAY CAST VINYL LP ROSALIND RUSSELL


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Wonderful Town-2004-Brooke Shields-New Broadway Cast-CD


Wonderful Town-2004-Brooke Shields-New Broadway Cast-CD


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ORIGINAL CAST RECORD - WONDERFUL TOWN [ORIGINAL BROADWAY CAST] [BONUS - NEW CD


ORIGINAL CAST RECORD – WONDERFUL TOWN [ORIGINAL BROADWAY CAST] [BONUS - NEW CD


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1998 STUDIO CAST - WONDERFUL TOWN [1998 STUDIO CAST] – NEW CD BOXSET” ><br />
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1998 STUDIO CAST – WONDERFUL TOWN [1998 STUDIO CAST] – NEW CD BOXSET


$30.31


ROSALIND RUSSELL


ROSALIND RUSSELL “WONDERFUL TOWN” LP 1953 MONO CAST


$7.99


WONDERFUL TOWN [ORIGINAL BROADWAY CAST] [BONUS TRACKS] NEW CD


WONDERFUL TOWN [ORIGINAL BROADWAY CAST] [BONUS TRACKS] NEW CD


$24.03


New Broadway Cast Recording : Wonderful Town


New Broadway Cast Recording : Wonderful Town


$19.88


New Broadway Cast Recording - Wonderful Town (NEW CD)


New Broadway Cast Recording – Wonderful Town (NEW CD)


$19.74


The New Broadway Cast - Wonderful Town - Brook (NEW CD)


The New Broadway Cast – Wonderful Town – Brook (NEW CD)


$19.74


WONDERFUL TOWN - CAST RECORIDNG [CD NEW]


WONDERFUL TOWN – CAST RECORIDNG [CD NEW]


$15.49


WONDERFUL TOWN: 1958 ORIGINAL TELEVISION CAST W.L. PROMO LP; ROSALIND RUSSELL


WONDERFUL TOWN: 1958 ORIGINAL TELEVISION CAST W.L. PROMO LP; ROSALIND RUSSELL


$9.99


ROSALIND RUSSELL Wonderful Town Original Cast DECCA LP


ROSALIND RUSSELL Wonderful Town Original Cast DECCA LP


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ORIGINAL CAST ROSALIND RUSSELL wonderful town LP 9010


ORIGINAL CAST ROSALIND RUSSELL wonderful town LP 9010


$13.00


Wonderful Town (Original Broadway Cast), Betty Comden, Adolph Green, Rosa, Excel


Wonderful Town (Original Broadway Cast), Betty Comden, Adolph Green, Rosa, Excel


$15.47


ROSALIND RUSSELL/NEW YORK CAST Wonderful Town LP


ROSALIND RUSSELL/NEW YORK CAST Wonderful Town LP


$16.20


MAUREEN LIPMAN/LONDON CAST Wonderful Town LP


MAUREEN LIPMAN/LONDON CAST Wonderful Town LP


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Rosalind Russell


Rosalind Russell “WONDERFUL TOWN” Cast Signed 1953


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WONDERFUL TOWN! ORIGINAL LONDON CAST 12


WONDERFUL TOWN! ORIGINAL LONDON CAST 12″ LP 1986


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Wonderful Town [1999 Studio Cast] by Sir Simon Rattl...


Wonderful Town [1999 Studio Cast] by Sir Simon Rattl…


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ORIGINAL CAST RECORD - WONDERFUL TOWN [ORIGINAL BROADWAY CAST] [BONUS - NEW CD


ORIGINAL CAST RECORD – WONDERFUL TOWN [ORIGINAL BROADWAY CAST] [BONUS - NEW CD


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BROADWAY MUSICAL CAS - WONDERFUL TOWN (NEW BROADWAY CAST RECORDING) - NEW CD


BROADWAY MUSICAL CAS - WONDERFUL TOWN (NEW BROADWAY CAST RECORDING) - NEW CD


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Wonderful Town (Original 1953 Broadway Cast)


Wonderful Town (Original 1953 Broadway Cast)


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All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed....

A Party with Betty Comden and Adolph Green; Original Broadway Cast LP; 1958


A Party with Betty Comden and Adolph Green; Original Broadway Cast LP; 1958



...


Wonderful Town (2003 Broadway Revival Cast)


Wonderful Town (2003 Broadway Revival Cast)


$10.28


All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed....

On the Town


On the Town


$5.58


New York, New York--it's a helluva town; the Bronx is up and the Battery's down; the people ride in a hole in the ground.... Well, you get the idea. Those lyrics (by Betty Comden and Adolph Green), set to Leonard Bernstein's music, have made On the Town a permanent part of the psychological landscape of New York City. The story (inspired by Jerome Robbins's ballet Fancy Free) is pretty slight: Gen...

Wonderful Town


Wonderful Town


$81.25


High Quality Content by WIKIPEDIA articles Wonderful Town is a musical with a book written by Joseph A. Fields and Jerome Chodorov, lyrics by Betty Comden and Adolph Green and music by Leonard Bernstein. It is based on Fields and Chodorovs 1940 play My Sister Eileen, which is itself based on the collection of short stories by Ruth McKenney of the same name. Premiering on Broadway in 1953, Wonderful Town won five Tony Awards, including Best Musical, and spawned a 1986 West End production and 2003 Broadway revival. A lighter piece than Bernsteins later works, West Side Story and Candide, Comden and Greens lyrics are paired with Bernsteins music to produce some of the most popular songs of the 1950s. Author: Surhone, Lambert M./ Tennoe, Mariam T./ Henssonow, Susan F. Binding Type: Paperback Number of Pages: 112 Publication Date: 2010/09/16 Language: English Dimensions: 6.00 x 9.02 x 0.27 inches

It Was a Wonderful Life


It Was a Wonderful Life


$17.06


It was a Wonderful Life is a labor of love and passion. It takes great courage to create such work. Kelly Stewart, daughter of Jimmy StewartYears have passed and George Bailey is being sent back to earth to earn his wings while rediscovering the town of Bedford Falls. While seeking old friends, George Bailey discovers he has a secret to unlock that will release Zuzu from her pain. Be prepared for a journey into old friendships, new beginnings and great surprises that will leave you teary eyed and yearning for more. Author: Vetock, Stanley John Binding Type: Paperback Number of Pages: 124 Publication Date: 2004/12/10 Language: English Dimensions: 9.00 x 6.00 x 0.29 inches

Harvest Moon: A Wonderful Life


Harvest Moon: A Wonderful Life


$78.07


High Quality Content by WIKIPEDIA articles Harvest Moon: A Wonderful Life is a video game for the Nintendo GameCube that was released on March 16, 2004. It was developed by Marvelous Interactive Inc. and released by Natsume, and is part of the longrunning Harvest Moon series of video games. The game offers connectivity with the Game Boy Advance game Harvest Moon: Friends of Mineral Town. The player starts the game with one cow, and can later acquire additional, higherquality cattle as well as male sheep, male and female chickens, and a male horse. In addition to these traditional Harvest Moon animals, this is also the first game in the series to feature ducks and a goat. The ducks appear not to incubate eggs of their own, but after acquiring ducks, some of the eggs the player harvests from chickens will hatch as ducklings. Author: Miller, Frederic P./ Vandome, Agnes F./ McBrewster, John Binding Type: Paperback Number of Pages: 120 Publication Date: 2010/07/11 Language: English Dimensions: 5.98 x 9.01 x 0.28 inches

Wigan Is Wonderful by Simpson, Julian [Paperback]” ><br />
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Wigan Is Wonderful by Simpson, Julian [Paperback]


$29.89


Wigan. The birthplace of northern soul and home of the worlds most famous pier. A place Jason knows is wonderful because it contains everything hell ever need: an endless stream of beer, girls and weekends where anything can happen. A town Denise wants to settle in forever with her boyfriend and baby, and somewhere Mark dreams of escaping but feels unavoidably trapped by. Jasons family and friends may not have much, but they do have each other. However, when their personal and collective lives start spiralling out of control, as the revelry is replaced by reality, even being together may not be enough. The grittiest and most realistic depiction of the north since Saturday Night and Sunday Morning, Wigan is Wonderful uncovers everyday life at its most desperate and most sublime. Author: Simpson, Julian Binding Type: Paperback Number of Pages: 188 Publication Date: 2006/02/01 Language: English Dimensions: 8.50 x 5.50 x 0.43 inches

Its a Wonderful Life By Goossens, Jesse


Its a Wonderful Life By Goossens, Jesse


$14.13


When Annas parents wont let her go to Europe with her friends for break, they offer to send her to visit her uncle, who lives in a small town in Pennsylvania. Author: Goossens, Jesse/ Macki, Erik J. (TRN) Publication Date: 2011/06/01 Number of Pages: 241 Binding Type: Paperback Language: English Depth: 0.50 Width: 5.75 Height: 8.00

Town Square STB1007BLK Town Square Curbside MailboxBlack


Town Square STB1007BLK Town Square Curbside MailboxBlack


$228.42


Presenting a sleek modern design the Town Square Curbside Mailbox will complement both contemporary or traditional architecture perfectly. Combining modern design elements with classic styling this mailbox is not an “off the shelf mailbox and will imp. Product Materials: Cast Aluminum. Dimensions:. Length: 21. Height: 10.75. Width: 10.5

Town Square STB1007CP Town Square Curbside MailboxCopper


Town Square STB1007CP Town Square Curbside MailboxCopper


$228.42


Presenting a sleek modern design the Town Square Curbside Mailbox will complement both contemporary or traditional architecture perfectly. Combining modern design elements with classic styling this mailbox is not an “off the shelf mailbox and will imp. Product Materials: Cast Aluminum. Dimensions:. Length: 21. Height: 10.75. Width: 10.5

Kay Berry 77640 Babies What a Wonderful Way...


Kay Berry 77640 Babies What a Wonderful Way…


$23.53


Kay Berry products are hand cast in the USA. Our artisans craft our designs from actual stone originals which are then carefully reproduced using materials and methods developed in ancient Rome. Your decision to purchase a Kay Berry stone product is backed by our guarantee: “If anything goes wrong ever we will fix it.” Kay Berry products are made of cast stone in Saxonburg PA. They are made to be weatherproof guaranteed to last a lifetime. All of the decorative stones have a hangar cast into the backs to allow display on walls fences or outbuildings. Made in USA. Size: 5 x 31/4 .


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Tobacco Label Vintage

March 29th, 2011 Comments off

Tobacco Label Vintage

Wine labeling: Some rules that you should know

When talking about wine label, you will find that this contains important information that you need about the wine inside the bottle. The things that should be written on the label are regulated by the Alcohol and Tobacco Tax and Trade Bureau (TTB). The regulations and rules of the wine label will ensure that the wine is exactly what it is written on the label.

The regulations and rules in wine labeling will also help the consumers to know the information about the label. The followings are some rules in wine labeling that might be very useful for you.

Wine maker
Wine marker is also called as the winery. This is the most important thing that should be written on label. This will be the name of the company that produces it. You will find that is some cases, the trademark name is also usually used.

Appellation
This represents the origin of the wine. Appellation is the region or the country where the grapes used for producing the wine are grown. This is the second thing that should be written on the label. When talking about this, you will find that 75% of the grapes must be from a specified appellation.

Vintage
According to the TTB, this is the third thing that should be included into the label. Vintage indicates the time when the grapes were harvested. This is not the time when the wine is made or bottled. When you find that the word “vintage” is written in other languages, this means that the wine was made in other countries.

Variety
This is the next thing that should be put on the wine label. This is the variety of grapes that is used to make the wine. You will find that rules for the variety of wine used to produce it may different in each country. In the U.S, this is only 75% of the wine that should be bottled from the specified variety.

Estate Bottled
This is the last thing that should be located on the label. To make the word “estate bottled” is put on the label, the grapes used to make the wine must be grown at the establishment. Additionally, the grapes should be crushed and also there should not be any premise when the wine is bottled.

Those are rules that should be put on the wine label. When you buy a bottle of wine, you should check the label. You have to make sure that it contains that information so that you will be able to get a good wine.

About the Author

However, the label is made to meet the regulation in trading a certain product. You will find that it might be printed with the industrial label printer. The printer t6hat is used can also the Datamax label printer

.

Cigar Review: La Verite 2008 from Pete Johnson of Tatuaje

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Vintage La Saolo Inner Cigar Box Label 1920's Old Cigar Tobacco Box Label LowShp


Vintage La Saolo Inner Cigar Box Label 1920′s Old Cigar Tobacco Box Label LowShp


$4.99


VTG Plow Boy Chewing & Smoking Tobacco Tin with Paper Label cir.1940's WW-2 ERA


VTG Plow Boy Chewing & Smoking Tobacco Tin with Paper Label cir.1940′s WW-2 ERA


$9.99


Nice vintage The Ryan/Uncle Daniel smoking tobacco label, early


Nice vintage The Ryan/Uncle Daniel smoking tobacco label, early


$5.99


2 nice unused vintage Bunny smoking tobacco labels


2 nice unused vintage Bunny smoking tobacco labels


$4.99


Vintage Enoch Arden Virginia Long Cut Smoking Tobacco Tin Paper Label - Tennyson


Vintage Enoch Arden Virginia Long Cut Smoking Tobacco Tin Paper Label – Tennyson


$49.50


VTG FIVE BROTHERS PIPE SMOKING TOBACCO LABEL JOHN FINZER & BROS KENTUCKY LEAF


VTG FIVE BROTHERS PIPE SMOKING TOBACCO LABEL JOHN FINZER & BROS KENTUCKY LEAF


$19.99


VTG MARYLAND CLUB TOBACCO MIXTURE POUCH LABEL ORIGINAL ATC


VTG MARYLAND CLUB TOBACCO MIXTURE POUCH LABEL ORIGINAL ATC


$19.99


VTG HARMONY SLICE CUT PIPE TOBACCO LABEL LIGGETT & MYERS CONGENIAL TOBACCOS


VTG HARMONY SLICE CUT PIPE TOBACCO LABEL LIGGETT & MYERS CONGENIAL TOBACCOS


$19.99


VTG GOLDEN STRAWBERRY PLAIN FINE CUT CHEWING TOBACCO LABEL B PAYNS SONS ALBANY


VTG GOLDEN STRAWBERRY PLAIN FINE CUT CHEWING TOBACCO LABEL B PAYNS SONS ALBANY


$19.99


VTG RED BALL TOBACCO CLIPPINGS LABEL HA STOOTHOFF CO YORK PA 5 OZ


VTG RED BALL TOBACCO CLIPPINGS LABEL HA STOOTHOFF CO YORK PA 5 OZ


$19.99


6 VINTAGE LAREDO CUT PLUG TOBACCO ADVERTISING LABELS


6 VINTAGE LAREDO CUT PLUG TOBACCO ADVERTISING LABELS


$8.49


6 VINTAGE WAY UP LONG CUT TOBACCO ADVERTISING LABELS


6 VINTAGE WAY UP LONG CUT TOBACCO ADVERTISING LABELS


$7.49


Vintage Sweet Mist Chewing Tobacco Label Detroit,Mi.


Vintage Sweet Mist Chewing Tobacco Label Detroit,Mi.


$3.99


PLUG TOBACCO LABEL AD ROMAN GOD JUPITER CIGARS POSTER AMERICANA DECOR PRINT 685


PLUG TOBACCO LABEL AD ROMAN GOD JUPITER CIGARS POSTER AMERICANA DECOR PRINT 685


$6.96


★LOT vintage CHINESE CIGARETTE TOBACCO LABELS 30pcs + BOOK w/CELLOPHANE SLEEVES


★LOT vintage CHINESE CIGARETTE TOBACCO LABELS 30pcs + BOOK w/CELLOPHANE SLEEVES


$42.50


Maclin - Zimmer- McGill - Vintage,  Tobacco Barrel label


Maclin – Zimmer- McGill – Vintage, Tobacco Barrel label


$8.50


1874 ROMEO JULIET BRAND TOBACCO LABEL POSTER NEW PRINT PICTURE BAR DEN DECOR 900


1874 ROMEO JULIET BRAND TOBACCO LABEL POSTER NEW PRINT PICTURE BAR DEN DECOR 900


$6.96


VINTAGE PLUG TOBACCO LABEL BAR POSTER CUBAN HORSE EARLY AMERICANA NEW PRINT 390


VINTAGE PLUG TOBACCO LABEL BAR POSTER CUBAN HORSE EARLY AMERICANA NEW PRINT 390


$6.96


VICTORIAN US CAPITOL NATIONAL TOBACCO LABEL POSTER ART PATRIOTIC PRINT AD 687


VICTORIAN US CAPITOL NATIONAL TOBACCO LABEL POSTER ART PATRIOTIC PRINT AD 687


$6.96


VINTAGE 1871 PEARL TOBACCO LABEL LORILLARD BRAND BAR SHOP DECOR POSTER PRINT 804


VINTAGE 1871 PEARL TOBACCO LABEL LORILLARD BRAND BAR SHOP DECOR POSTER PRINT 804


$6.96


VINTAGE TOBACCO ADVERTISING PACKAGES AND LABELS


VINTAGE TOBACCO ADVERTISING PACKAGES AND LABELS


$19.99


Unique Cuban Tobacco Auction Vintage Cigar Label Sample


Unique Cuban Tobacco Auction Vintage Cigar Label Sample


$99.00


Vintage Monument Square Cigar Box Label 1910's Tobacco Art Print Advertising


Vintage Monument Square Cigar Box Label 1910′s Tobacco Art Print Advertising


$9.99


CADDY PLUG TOBACCO LABEL VINTAGE 1800S SOUTHDOWN VIRGINIA LIVESTOCK PETERSBURG


CADDY PLUG TOBACCO LABEL VINTAGE 1800S SOUTHDOWN VIRGINIA LIVESTOCK PETERSBURG


$39.95


VINTAGE BENCO CIGARETTE TOBACCO LABELS LOT SYRACUSE NY


VINTAGE BENCO CIGARETTE TOBACCO LABELS LOT SYRACUSE NY


$9.99


Stone Litho plug tobacco label Vintage Equestrian


Stone Litho plug tobacco label Vintage Equestrian


$84.95


1857 XX BRAND PLUG TOBACCO AD CRATE LABEL POSTER MILITARY THEME DECOR PRINT 689


1857 XX BRAND PLUG TOBACCO AD CRATE LABEL POSTER MILITARY THEME DECOR PRINT 689


$6.99


 PLUG TOBACCO LABEL CADDY VINTAGE ICESKATING FASHION


PLUG TOBACCO LABEL CADDY VINTAGE ICESKATING FASHION


$54.95


 PLUG TOBACCO LABEL CADDY VINTAGE ST ANDEREWS VIRGINIA


PLUG TOBACCO LABEL CADDY VINTAGE ST ANDEREWS VIRGINIA


$44.95


 PLUG TOBACCO LABEL CADDY VINTAGE VENUS VIRGINIA GODESS


PLUG TOBACCO LABEL CADDY VINTAGE VENUS VIRGINIA GODESS


$64.95


 PLUG TOBACCO LABEL CADDY VINTAGE VICTORIAN WEDDING


PLUG TOBACCO LABEL CADDY VINTAGE VICTORIAN WEDDING


$59.95


 PLUG TOBACCO LABEL CADDY VINTAGE VICTORIAN VIRGINA


PLUG TOBACCO LABEL CADDY VINTAGE VICTORIAN VIRGINA


$29.95


 PLUG TOBACCO LABEL CADDY VINTAGE GOLDEN EAGLE 1880S


PLUG TOBACCO LABEL CADDY VINTAGE GOLDEN EAGLE 1880S


$29.95


UNION LEADER Smoking Tobacco Pocket Tin, Tax Stamp Label, vintage, empty


UNION LEADER Smoking Tobacco Pocket Tin, Tax Stamp Label, vintage, empty


$7.75


Vintage 1876 Havelock Brand Tobacco  Caddy Label


Vintage 1876 Havelock Brand Tobacco Caddy Label


$19.99


VINTAGE CARDBOARD POLAR BEAR TOBACCO ADVERTISING


VINTAGE CARDBOARD POLAR BEAR TOBACCO ADVERTISING


$4.99


VINTAGE CARDBOARD POLAR BEAR TOBACCO ADVERTISING


VINTAGE CARDBOARD POLAR BEAR TOBACCO ADVERTISING


$4.99


LOT VINTAGE TOBACCO CIGARETTE LABELS PAMPHLETS COUPONS COLLECTION GOOD CONDITION


LOT VINTAGE TOBACCO CIGARETTE LABELS PAMPHLETS COUPONS COLLECTION GOOD CONDITION


$0.99


The Collector's Guide to Vintage Cigarette Packs (A Schiffer Book for Collectors)


The Collector’s Guide to Vintage Cigarette Packs (A Schiffer Book for Collectors)


$27.21


At last, here is the compendium of cigarette packs that collectors have been waiting for! Joe Giesenhagen has compiled a fantastic collection of cigarette packs dating from the 1880s to the present, in all colors, shapes and sizes. See the incredible diversity of character in cigarette packaging over the past century, and the amazing creative effort some companies exerted to make their cigarettes …

Welcome Nugget Tobacco Label 28x42 Giclee On Canvas


Welcome Nugget Tobacco Label 28×42 Giclee On Canvas


$428.79


Series: Cigar LabelsArtist: UnknownPeriod: Source country: USASource Year: 1870A vintage tobacco label. The scene commemorates find a giant gold nugget and has an inscription on the rock which reads: As the \ Welcome Nugget\ weighing 2217 ounces exceeds in purity and value of any lump of gold ever found This brand surpasses in quality any tobacco made.28 inch by 42 inch Giclee print on Canvas.All files are stored digitally and are ready for reproduction. The quality is closely monitored to ensure professional results.This item is custom made per order.

Welcome Nugget Tobacco Label 12x18 Giclee On Canvas


Welcome Nugget Tobacco Label 12×18 Giclee On Canvas


$77.63


Series: Cigar LabelsArtist: UnknownPeriod: Source country: USASource Year: 1870A vintage tobacco label. The scene commemorates find a giant gold nugget and has an inscription on the rock which reads: As the \ Welcome Nugget\ weighing 2217 ounces exceeds in purity and value of any lump of gold ever found This brand surpasses in quality any tobacco made.12 inch by 18 inch Giclee print on Canvas.All files are stored digitally and are ready for reproduction. The quality is closely monitored to ensure professional results.This item is custom made per order.

Tiger Brand Tobacco Label 28x42 Giclee On Canvas


Tiger Brand Tobacco Label 28×42 Giclee On Canvas


$428.79


Series: Cigar LabelsArtist: UnknownPeriod: Source country: USASource Year: 1870This vintage advertising is the Tiger Brand tobacco label printed by A. Hoen Co. lithographers of Richmond VA. This label was printed during the 1880 s for the intention of being pasted on a crate or barrel of tobacco.28 inch by 42 inch Giclee print on Canvas.All files are stored digitally and are ready for reproduction. The quality is closely monitored to ensure professional results.This item is custom made per order.

Tiger Brand Tobacco Label 12x18 Giclee On Canvas


Tiger Brand Tobacco Label 12×18 Giclee On Canvas


$77.63


Series: Cigar LabelsArtist: UnknownPeriod: Source country: USASource Year: 1870This vintage advertising is the Tiger Brand tobacco label printed by A. Hoen Co. lithographers of Richmond VA. This label was printed during the 1880 s for the intention of being pasted on a crate or barrel of tobacco.12 inch by 18 inch Giclee print on Canvas.All files are stored digitally and are ready for reproduction. The quality is closely monitored to ensure professional results.This item is custom made per order.

Buyenlarge 225947P2030 Tiger Brand Tobacco Label 20x30 poster


Buyenlarge 225947P2030 Tiger Brand Tobacco Label 20×30 poster


$31.73


Series: Cigar Labels. Artist: Unknown. Period:. Source country: USA. Source Year: 1870. This vintage advertising is the Tiger Brand tobacco label printed by A. Hoen Co. lithographers of Richmond VA. This label was printed during the 1880 s for the intention of being pasted on a crate or barrel of tobacco. 20inch by 30 inch poster print on standard paper. All files are stored digitally and are ready for reproduction. The quality is closely monitored to ensure professional results. This item takes 59 businessdays to ship

Buyenlarge 225939P2030 Welcome Nugget Tobacco Label 20x30 poster


Buyenlarge 225939P2030 Welcome Nugget Tobacco Label 20×30 poster


$30.55


Series: Cigar Labels. Artist: Unknown. Period:. Source country: USA. Source Year: 1870. A vintage tobacco label. The scene commemorates find a giant gold nugget and has an inscription on the rock which reads: As the \ Welcome Nugget\ weighing 2217 ounces exceeds in purity and value of any lump of gold ever found This brand surpasses in quality any tobacco made. 20inch by 30 inch poster print on standard paper. All files are stored digitally and are ready for reproduction. The quality is closely monitored to ensure professional results. This item takes 59 businessdays to ship

Vintage Shoe Company Aubrey (Women's) - Tobacco Harness


Vintage Shoe Company Aubrey (Women’s) – Tobacco Harness


$109.45


Modeled after the historic wing-tip design, our Aubrey offers a feminine take on the beloved men’s shoe. Crafted from washed suedes or weathered leathers, this women’s wingtip has its very own authentic style. Available Colors: Chocolate Harness, Black Harness, Tobacco Harness.

Vintage Shoe Company Morgan (Women's) - Tobacco Harness


Vintage Shoe Company Morgan (Women’s) – Tobacco Harness


$102.95


The ballerina flat was inspired by shoes worn by both men and women in the 16th century called pompes. Additionally, the thin and flat style shoe was clearly modeled after the slippers dancers wore on stage. Handmade from quality materials, the Morgan ballerina flat gives off a timeless, feminine silhouette. Available Colors: Chestnut Canvas, Chocolate Harness, Black Harness, Tobacco Harness.